© Jeff Goldberg. Esto

The Architecture

As Yale-NUS was a completely new institution, the campus was designed and built from scratch, which meant that its buildings and architecture could be tailored from the ground up to suit the College’s needs.

Combining educational, residential and social spaces, the campus supported the College’s educational mission while also providing a comfortable and inspiring home for its students.

It was designed by American architectural firm Pelli Clarke Pelli Architects, in collaboration with Singaporean firm Forum Architects.

A Distinctive Architectural Vision

Ariel Cheung (Class of 2022) introduces the ideas behind the campus architecture.

Contributing to the College’s Educational Mission

Inaugural Yale-NUS President Pericles Lewis notes how the campus was designed to reflect and enhance the College’s mission and values.

Inspirations

The architects looked to some ancient educational institutions for inspiration, such as India’s Nalanda University, the Temple of Literature in Hanoi, the Greek Academy and the universities of Oxford and Cambridge.

They were also inspired by elements from Yale University’s campus, and sought to combine these with the more contemporary high-rise architecture of Singapore.

Another element was how to capture some of the distinctiveness of the architecture in Yale, New Haven, in Singapore, while embracing the tropical Asian aspects of architecture.

NUS President Tan Chorh Chuan describes how the College’s architecture combined elements from Yale University’s campus with Singaporean features.

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Triangle behind a mountain range made with structural grid like texture

Inspired by Singapore’s high-rise skyline, the architects produced a design that vertically stacked elements like classrooms, offices and residential suites into towers.

The Oculus, located at the main entrance to the campus, combined Eastern and Western influences, while subverting both.

In Chinese symbolism, circles refer to Heaven, while squares refer to the Earth, as seen in the early Chinese text “The way of Heaven is round; the Way of Earth is square”.

The Oculus was inspired by this idea, but reversed the traditional positions by having a square roof (representing the Earth) above a circular reflecting pool (representing Heaven), so locating the Earth in the sky and Heaven on the ground.

And in Western architecture, an oculus is a circular opening in the centre of a dome, allowing light, rain and air into a building. The campus’s Oculus replaced this traditional circular opening with a square one.

This merging and subverting of East and West served as a fitting symbolic entrance to the Yale-NUS campus.

Architecture that reflected the distinctive East and West aspirations of the College.

Professor Tan Chorh Chuan recalls how the architectural pillars took influences from both East and West.

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Triangle behind a mountain range made with structural grid like texture

Ariel Cheung describes some of the more subtle inspirations that are found throughout the campus, such as the use of patterns of Southeast Asian textures.

More Southeast Asian Textures

More Southeast
Asian Textures

Some inspirations were specific to Singapore, such as the patterns found in the Tan Chin Tuan Lecture Theatre which were derived from local food centres.

Another echo of local culture was seen in the covered walkways that connected the campus buildings.

Although reminiscent of Classical colonnades, they were actually inspired by the narrow corridors called ‘five-foot ways’ found outside Singapore’s traditional shophouses.

The Campus Village

One of the architects’ first decisions was to increase the number of residential towers from three—one for each Residential College—to five, with the idea that the smaller towers would give a more intimate, village-like feeling.

The challenging nature of the campus terrain also contributed to this ‘village’ character by enforcing a less regimented design.

Oral History Interview

Professor Pericles Lewis discusses how the architecture and terrain contributed to the village-like feel of the campus.

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Transcript

I think some of the things that [César] Pelli did, first of all he broke up the idea of the three towers, and instead we’ve got five towers that look a little like a village, and if you look at our five towers, when you approach them from different angles, they make different patterns, and so it does have a little bit of that sense. And there are a fair number of nooks and crannies, partly because we’re on a slope. And so, given the gradient the different levels come out in different places relative to the ground, and that creates a certain complexity in terms of ‘Where are the elevators are placed?’ and ‘Where are the staircases?’, but it also gives a little bit more of that village feel.

A Community Feeling

One of the primary objectives of the campus design was to facilitate the creation of a positive community feeling.

How do you create facilities that encourage informal interaction and out-of-classroom learning?

Professor Tan Chorh Chuan on how the campus helped shape the community.

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We call it ‘nested communities’.

Professor Pericles Lewis describes a series of student communities increasing in size from individual suites up to the whole of Yale and NUS.

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As part of these ‘nested communities’, sky gardens were placed in the Residential College towers. Equipped with picnic tables and benches, these outdoor garden spaces provided a space for small groups of neighbours to gather together.

Professor Tan Tai Yong

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This sense of community was enhanced by limiting the number of entrances to the campus. However, the gates could be kept open during the day to allow NUS students and the public to enter freely, and closed at night to transform the campus back into a private residential area.

Design Variations Across the Campus

Professor Pericles Lewis

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Each Residential College had its own distinctive design features to enhance their individuality.

Ariel Cheung

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Each Residential College also used a different type of wood in their decoration.

Different roof shapes were used to distinguish the different functions of the campus buildings: dining halls had pointed roofs; flat roofs indicated a semi-public function; and indented roofs denoted a public function. The roofs were also landscaped and made green.

Awards and Public Forum

The success of the campus was demonstrated by the many design and building awards it received.

The Green Mark Platinum Award was received in 2013, before the campus was even complete, recognising the ecologically friendly design of the campus buildings.

Notable features included sensors to automatically turn down lights and air-conditioning, the maximising of natural light and the green roofs and sky gardens.

The award was recertified for a second time in 2021.

We are delighted that our campus has been awarded the International Architecture Award which recognises excellence in the design, construction, planning and sustainability of our campus.

Professor Pericles Lewis on the College winning the prestigious International Architecture Award in 2016.

The College also won Southeast Asia’s highest award for energy efficiency and conservation in buildings and green buildings (in the ‘Energy Efficient Building – Tropical Building’ category). It was awarded by the ASEAN Centre for Energy at the ASEAN Energy Awards in 2019.

A public forum was held at the College on 13 October 2015, featuring presentations from the architects and discussions on the unique qualities of the campus.

The College’s Infrastructure, Safety & Security Office (INFRA) won the Facilities Management award at the 2020 Building Performance Awards. Awarded by the Chartered Institution of Building Services Engineers (CIBSE), the award recognised how INFRA had cut maintenance times, boosted energy performance and improved working relationships.

Building a Community of Learning

The campus architecture not only produced a comfortable home for the students, but also helped to build a welcoming community within a stimulating educational environment that was vital in fostering the development of the Yale-NUS community of learning.

Triangle behind a mountain range made with structural grid like texture

Ariel Cheung summarises how the campus architecture reflected the College’s academic mission.